Which Characters Shouldn’t Have Died in Movies: The Heartfelt Case for Vicky in 'Raazi'

When watching 'Raazi', a compelling historical thriller, I couldn't help but feel a twinge of regret over the death of Vicky Kaushal’s character, Iqbal. This article discusses the arguments against Iqbal’s death and explores the importance of character development and believability in filmmaking.

Character Development and Redemption

Vicky Kaushal’s portrayal of Iqbal is a prime example of nuanced character development. He is shown to be not just a man with a deep-seated patriotism, but someone with a heart of gold. His sensitivity, gentlemanly demeanor, and respect for boundaries make him stand out as a character who evokes empathy from the audience. Rather than conforming to the typical trope of bitter nationalists, Iqbal stands as a benchmark for how a character can evolve positively amidst the backdrop of war.

Emotional Depth and Realism

One of the most compelling aspects of Iqbal’s character is the depth of his emotions. His heartbreak over his wife’s involvement in espionage is achingly real. This heart-to-heart struggle between duty and love humanizes the character, making his ultimate sacrifice all the more poignant. Had he been allowed to live and find a way to continue his life, the film could have provided a deeper layer of complexity.

Impact of Death on Plot and Audience Engagement

The inclusion of Iqbal’s death serves a specific purpose within the narrative structure of 'Raazi'. It drives the plot forward and signifies a point of no return for the protagonist, Sehmat. However, the question remains: is his death necessary for the story or does it serve an unnecessary emotional hit? While the bomb blast scene is tragic, is it the only way to conclude the character arc of Iqbal?

Alternatives to Iqbal’s Death

There are several ways the script could have been modified to keep Iqbal alive without compromising the integrity of the story. For instance, his deepening relationship with Sehmat, discovery of a way to work with or against his espionage activities, or even a more peaceful resolution to his internal conflict. Each of these alternatives would have provided a stark contrast to the dark realities of the war, emphasizing the human impact over ideological divisions.

Conclusion: Humanizing War Films

In war films, characters often become symbols of ideology, making them one-dimensional and less relatable. By humanizing these characters, we enrich the narrative and make the audience more invested in their stories. Iqbal’s life could have added a layer of emotional truth to the film, reflecting the complexities of human nature in times of conflict. The impact of his death, though impactful, could have been softened or avoided altogether to create a more balanced and nuanced portrayal.

In conclusion, 'Raazi' could benefit from a reevaluation of character arcs and the inclusion of Iqbal's survival. This would not only enhance the emotional depth of the film but also add layers of complexity that enrich the overall narrative.